Literary Speakers Agency.

It is rare to find in one collection an entire skyline burning and the quiet to follow a single worm, to hear soil breathe—in Jorie Graham’s fifteenth poetry collection, you do. Jorie Graham’s fifteenth poetry collection, To 2040, opens in question punctuated as fact: “Are we / extinct yet. Who owns / the map.” In these visionary new poems, Graham is part historian, part cartographer as she plots an apocalyptic world where rain must be translated, silence sings louder than speech, and wired birds parrot recordings of their extinct ancestors. In one poem, the speaker is warned by a clairvoyant “the American experiment will end in 2030.” Graham shows us our potentially inevitable future soundtracked by sirens among industrial ruins, contemplating the loss of those who inhabited and named them.

Acclaimed novelist Ibi Zoboi illuminates the young life of the visionary storyteller Octavia E. Butler in poems and prose. Born into the Space Race, the Red Scare, and the dawning Civil Rights Movement, Butler experienced an American childhood that shaped her into the groundbreaking science-fiction storyteller whose novels continue to challenge and delight readers fifteen years after her death.

Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage you to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.

Helen is a young Yazidi woman, living with her family in a mountain village in Sinjar, northern Iraq. One day she finds a local bird caught in a trap, and frees it, just as the trapper, Elias, returns. At first angry, he soon sees the error of his ways and vows never to keep a bird captive again.

Helen and Elias fall deeply in love, marry and start a family in Sinjar.  The village has seemed to stand apart from time, protected by the mountains and too small to attract much political notice. But their happy existence is suddenly shattered when Elias, a journalist, goes missing. A brutal organization is sweeping over the land, infiltrating even the remotest corners, its members cloaking their violence in religious devotion. Helen’s search for her husband results in her own captivity and enslavement.

She eventually escapes her captors and is reunited with some of her family. But her life is forever changed. Elias remains missing and her sons, now young recruits to the organization, are like strangers. Will she find harmony and happiness again?

Dunya Mikhail’s The Bird Tattoo chronicles a world of great upheaval, love and loss, beauty and horror, and will stay in readers’ minds long after the last page.

A highly anticipated volume from critically acclaimed poet Mahogany L. Browne, Chrome Valley is at once a luminous hymn and a battle cry. Spanning the course of her own life as well as embodying centuries of virulent history, this collection pays solemn tribute to the women who came before her. Musically effervescent yet cutting poems capture the peculiar joys and pangs of Black girlhood: “you ain’t had freedom / ’til you climb on a bus 62 / & head to the closet mall / for a girl fight”; while others explore the inherent grief of motherhood, rhythmically intoning names like the tolling of a church bell: “Because Lesley McSpadden / Because Mamie Till / Because a Black mother know ain’t no song for that empty in ya belly.” Transcendent and grounded, funny and furious, the poems within bring depth to a movement, announcing Mahogany L. Browne as one of the most important poetic voices of our time.

In her memoir You Could Make This Place Beautiful, poet Maggie Smith explores the disintegration of her marriage and her renewed commitment to herself in lyrical vignettes that shine, hard and clear as jewels. The book begins with one woman’s personal, particular heartbreak, but its circles widen into a reckoning with contemporary womanhood, traditional gender roles, and the power dynamics that persist even in many progressive homes. With the spirit of self-inquiry and empathy she’s known for, Smith interweaves snapshots of a life with meditations on secrets, anger, forgiveness, and narrative itself. The power of these pieces is cumulative: page after page, they build into a larger interrogation of family, work, and patriarchy. You Could Make This Place Beautiful, like the work of Deborah Levy, Rachel Cusk, and Gina Frangello, is an unflinching look at what it means to live and write our own lives. It is a story about a mother’s fierce and constant love for her children, and a woman’s love and regard for herself. Above all, this memoir is an argument for possibility. With a poet’s attention to language and an innovative approach to the genre, Smith reveals how, in the aftermath of loss, we can discover our power and make something new. Something beautiful.

The explosive, hotly-anticipated debut novel from the New York Times-bestselling author of Friday Black, about two top women gladiators fighting for their freedom within a depraved private prison system not so far-removed from America’s own.