Renowned Spoken Word Poet
National Book Award-winner
NY Times Bestselling Novelist
National Poetry Slam Champion
- Clap When You Land
- With the Fire on High
- The Poet X
- An Evening with Elizabeth Acevedo
“In nearly every poem, there is at least one universal truth about adolescence, family, gender, race, religion, or sexuality that will have readers either nodding in grateful acknowledgment or blinking away tears.” –Horn Book
“Poignant and real, beautiful and intense.” –Kirkus Review, starred review
Poet, novelist, and National Poetry Slam Champion, Elizabeth Acevedo was born and raised in New York City, the only daughter of Dominican immigrants. Her poetry is infused with Dominican bolero and her beloved city’s tough grit. She is the author of Family Lore (Ecco, 2023), which was longlisted for The Center for Fiction’s 2023 First Novel Prize; Inheritance: A Visual Poem (Quill Tree Books, 2022); Clap When You Land (Quill Tree Books, 2o20); With the Fire On High (Harper, 2019); the New York Times best selling novel, The Poet X (HarperCollins, 2018), winner of the 2018 National Book Award for Young Adult Fiction, the 2019 Michael L. Printz Award, the Horn Book Prize for Fiction and Poetry, and the Carnegie Medal. She is also the author of the poetry chapbook Beastgirl & Other Origin Myths (YesYes Books, 2016), a collection of folkloric poems centered on the historical, mythological, gendered and geographic experiences of a first generation American woman. From the border in the Dominican Republic, to the bustling streets of New York City, Acevedo considers how some bodies must walk through the world as beastly beings. How these forgotten myths are both blessing and birthright.
Acevedo’s poems have been published or are forthcoming in Poetry, Puerto Del Sol, Callaloo, Poet Lore, The Notre Dame Review, and others. Acevedo is a Cave Canem Fellow, Cantomundo Fellow, and participant of the Callaloo Writer’s Workshop. She’s given TedTalks and has been a featured reader nationally and internationally, including appearance at renowned venues such as The Lincoln Center, Madison Square Garden, the Kennedy Center of the Performing Arts, South Africa’s State Theatre, The Bozar in Brussels, the National Library of Kosovo and many others.
Acevedo holds a BA in Performing Arts from The George Washington University and an MFA in Creative Writing from the University of Maryland. She resides in Washington, DC with her husband.
Elizabeth Acevedo is the New York Times-bestselling author of The Poet X, which won the National Book Award for Young People’s Literature, the Michael L. Printz Award, the Pura Belpré Award, the Carnegie medal, the Boston Globe–Horn Book Award, and the Walter Award. She is also the author of numerous other titles including Family Lore; With the Fire on High, which was named a best book of the year by the New York Public Library, NPR, Publishers Weekly, and School Library Journal; and Clap When You Land, a Boston Globe–Horn Book Honor book and a Kirkus finalist. Acevedo has been a fellow of Cave Canem, Cantomundo, and a participant in the Callaloo Writer’s Workshops. She is a National Poetry Slam Champion, and resides in Washington, DC with her husband.Visit Author Website
Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.
But Flor isn’t the only person with secrets: her sisters are hiding things, too. And the next generation, cousins Ona and Yadi, face tumult of their own.
Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo’s inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces—one family’s journey through their history, helping them better navigate all that is to come.
Inheritance: A Visual Poem
In her most famous spoken-word poem, author of the Pura Belpré-winning novel-in-verse The Poet X Elizabeth Acevedo embraces all the complexities of Black hair and Afro-Latinidad—the history, pain, pride, and powerful love of that inheritance.
Paired with full-color illustrations by artist Andrea Pippins in a format that will appeal to fans of Mahogany L. Browne’s Black Girl Magic or Jason Reynolds’s For Everyone, this poem can now be read in a vibrant package, making it the ideal gift, treasure, or inspiration for readers of any age.
Clap When You Land
In a novel-in-verse that brims with grief and love, National Book Award-winning and New York Times-bestselling author Elizabeth Acevedo writes about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives. Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people. In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash. Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered. And then, when it seems like they’ve lost everything of their father, they learn of each other.
With the Fire On High
Ever since she got pregnant freshman year, Emoni Santiago’s life has been about making the tough decisions—doing what has to be done for her daughter and her abuela. The one place she can let all that go is in the kitchen, where she adds a little something magical to everything she cooks, turning her food into straight-up goodness. Even though she dreams of working as a chef after she graduates, Emoni knows that it’s not worth her time to pursue the impossible. Yet despite the rules she thinks she has to play by, once Emoni starts cooking, her only choice is to let her talent break free.
The Poet X
“Crackles with energy and snaps with authenticity and voice.” —Justina Ireland
Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.
Beast Girl and Other Origin Myths
Beastgirl & Other Origin Myths by Elizabeth Acevedo is the first title in YesYes Books’ Blue Note Edition Chapbook Series. Beastgirl & Other Origin Myths is a collection of folkloric poems centered on the historical, mythological, gendered, and geographic experiences of a first generation American woman. From the border in the Dominican Republic, to the bustling streets of New York City, Acevedo considers how some bodies must walk through the world as beastly beings. How these forgotten myths be both blessing and birthright.
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• Read “Ode to the Head Nod” – Poets.org
My mouth cannot write you a white flag.
It will never be a Bible verse.
My mouth cannot be shaped into the apology
you say both you and God deserve.
And you want to make it seem
it’s my mouth’s entire fault.
Because it was hungry,
and silent, but what about your mouth:
how your lips are staples
that pierce me quick and hard.
And the words I never say
are better left on my tongue
since they would only have slammed
against the closed door of your back.
Your silence furnishes a dark house.
But even at the risk of burning
the moth always seeks the light.
—excerpted from the novel in verse, THE POET X
And although I am a poet, I am not the bullet;
I will not heat-search the soft points.
I am not the coroner who will graze her hand
over naked knees. Who will swish her fingers
in the mouth. Who will flip the body over, her eye a hook
fishing for government-issued lead.
I am not the sidewalk, which is unsurprised
as another cheek scrapes harsh against it.
Although I too enjoy soft palms on me;
enjoy when he rests on my body with a hard breath;
I have clasped
this man inside me and released him again and again,
listening to him die thousands of little deaths.
What is a good metaphor for a woman who loves in a time like this?
I am no scalpel or high thread count sheet. Not a gavel, or hand-painted teacup.
I am neither nor romanced by the streetlamp nor candlelight;
my hands are not an iron, but look, they’re hot, look
how I place them in love on his skin
and am still able to unwrinkle his spine.