“A dynamic, shape-shifting machine of perpetual motion that reveals poignant observance.” –Booklist
“Bashir looks directly into the eye of blackness, death, slavery, American history, and beauty without budging.” – Lambda Literary
Sometimes Samiya Bashir makes poems of dirt. Sometimes zeros and ones. Sometimes variously rendered text. Sometimes light. Her work has been widely published, performed, installed, printed, screened, experienced, and Oxford comma’d.
Bashir’s most recent book of poetry, Field Theories, wends its way through quantum mechanics, chicken wings and Newports, love and a shoulder’s chill, melding blackbody theory (idealized perfect absorption, as opposed to the whitebody’s idealized reflection) with real live Black bodies in poems that span lyric, narrative, dramatic, and multi-media experience, engaging their containers while pushing against their constraints. Hyperallergic writes, “Samiya Bashir challenges the vocabulary of science, finding inflections and echoes within that vocabulary of the long and brutal history of race and racially based economic exploitation in the U.S.A. dynamic, shape-shifting machine of perpetual motion.”
Albert Murray said, “the second law of thermodynamics ain’t nothing but the blues.” Field Theories asks what is the blue of how we treat each other, ourselves, of what this world does to us, of what we do to this shared world in poems which “creat[ing] cognitive openings,” wrote Durand, “for understanding how science, history, life and poetry intersect.”During the six months leading up to the release of Field Theories, Bashir created six short videopoems in collaboration with video artist Roland Dahwen Wu and dancer Keyon Gaskin to remix and reimagine the work through a new medium: sound & image & light.
Norse gods, Ghanaian call and response, and black gospel all contribute to an exploration of the sensual world in Gospel, her second collection which, along with Where the Apple Falls was a finalist for the Lambda Literary Award. Blackademics reviewer Alexis Pauline Gumbs described the collection as a “close look at the infinite places and moments when the human body meets despair, pleasure and transcendence.” Bashir is also editor of Best Black Women’s Erotica II, and co-editor of Role Call: A Generational Anthology of Social & Political Black Literature & Art, with Tony Medina and Quraysh Ali Lansana.
Bashir holds a BA from the University of California, Berkeley, where she served as Poet Laureate, and an MFA from the University of Michigan, where she received two Hopwood Poetry Awards. In October 2017 she was awarded the Regional Arts & Culture Council’s Individual Artist Fellowship in Literature in recognition of individual artistic achievement and excellence to sustain and enhance her creative process. She has been the recipient of numerous other awards, grants, fellowships, and residencies, and is a founding organizer of Fire & Ink, an advocacy organization and writer’s festival for LGBT writers of African descent.
Bashir lives in Portland, Oregon where she teaches at Reed College.