Nate Marshall
Poet, Rapper, Educator & Editor
Hurston/Wright Founding Members Award
Readings &
Lecture Topics
- The Sonnet & The Sixteen: Rap’s Relationship to the Poem
- Gwendolyn Brooks: Bronzeville’s Bard
- The Difficult Miracle: Black Poetry from Maafa to Movement
- An Evening with Nate Marshall
Biography
“I am thankful for the honesty and self-examination in this work, yes. But even beyond that, I am thankful for a speaker who speaks as my people might, yelling across a parking lot or during a card game. I am thankful that this, too, is a part of the honesty this marvelous work is in pursuit of.”—Hanif Abdurraqib
“I hear Etheridge Knight, I hear Terrance Hayes, but most vividly, I hear Nate Marshall naming his many selves as some flee, others linger, and one in particular threatens to hunt him down. Don’t be fooled by the calm and assured clarity of this poet’s voice; there is a trip wire hidden in damn near every line break.” —Saeed Jones
Nate Marshall is a writer and educator from the South Side of Chicago. His forthcoming collection of poems, Something Blue (One World, 2026) has been called “singular, tender, sometimes laugh-out-loud hilarious and other times soul-unraveling” by Pulitzer Prize finalist Danez Smith. He is also the author of the collections Wild Hundreds (University of Pittsburgh Press, 2015), winner of the Agnes Lynch Starrett Prize and a finalist for the 2015 NAACP Image Award; and Finna (One World, 2020), which was named one of the best books of the year by NPR and The New York Public Library. A Cave Canem fellow, his poetry has appeared in Poetry, Indiana Review, The New Republic, and elsewhere.
In Finna Marshall serves sharp, lyrical poems celebrating the Black vernacular–its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacy. The project considers the brevity and disposability of Black lives in our current era of emboldened white supremacy, illuminating “life in this country in a strikingly original way” says The Washington Post.
Across his work, Marshall observes the presence of hometowns and origins, as well as their influence in how we inhabit language. Marshall work meditates on language as one of the key spaces we use to oppress or empower. Always paying particular attention to the ways that Black people in the West were first stripped of language and how those peoples have continued to remake language as a site of possibility.
Marshall is a coeditor of The BreakBeat Poets: New American Poetry in the Age of Hip-Hop (Haymarket Books, 2015). He is also an accomplished rapper. Marshall is a founding member of the poetry collective Dark Noise. He was the star of the award-winning full-length documentary Louder Than a Bomb and was featured on the HBO original series Brave New Voices.
Marshall received the 2014 Hurston/Wright Founding Members Award for College Writers and the 2013 Gwendolyn Brooks Open Mic Award. In 2015, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.
Marshall is an associate professor in the creative writing program at the University of Wisconsin and lives in Madison, WI with his family.
Videos
Publications
Something Blue
Poetry, 2027
From the award-winning author of Finna comes this moving, tender collection of poems exploring love and grief throughout the journey of life
in this luminous green corner
of a beautiful, bruised continent.
there was love between
these lovers
that still happened
amongst it all.
In Something Blue, Nate Marshall reminds us that “love always happens in a time of grief. That’s how you survive. Poems sit at the intersection & sing for us.” Marshall’s third collection follows in the traditions of the epithalamium (wedding poem) and the elegy (funeral poem), bearing witness to love and grief as essential to how we understand ourselves and our unending relationship with each other.
Life is a duet of great joys and stunning losses, and within this idiosyncratic miracle that we have both the honor and horror of inhabiting, we are often left speechless. During the most important moments to us, the moments that defy words, we reach for the alchemical magic of the poem to make sense of the ineffable. The poems in Something Blue emanate some measure of that magic, proclaiming love, and specifically Black love, as miraculous.
Finna
Poetry, 2020
Definition of finna, created by the author: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrow
These poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:
nothing about our people is romantic
& it shouldn’t be. our people deserve
poetry without meter. we deserve our
own jagged rhythm & our own uneven
walk towards sun. you make happening happen.
we happen to love. this is our greatest
action.
Wild Hundreds
Poetry, 2015
Wild Hundreds is a long love song to Chicago. The book celebrates the people, culture, and places often left out of the civic discourse and the travel guides. Wild Hundreds is a book that displays the beauty of black survival and mourns the tragedy of black death.
The BreakBeat Poets: New American Poetry in the Age of Hip-Hop
Anthology, 2015
Hip-Hop is the largest youth culture in the history of the planet rock. This is the first poetry anthology by and for the Hip-Hop generation.
It has produced generations of artists who have revolutionized their genre(s) by applying the aesthetic innovations of the culture. The BreakBeat Poets features 78 poets, born somewhere between 1961-1999, All-City and Coast-to-Coast, who are creating the next and now movement(s) in American letters.
The BreakBeat Poets is for people who love Hip-Hop, for fans of the culture, for people who’ve never read a poem, for people who thought poems were only something done by dead white dudes who got lost in a forest, and for poetry heads. This anthology is meant to expand the idea of who a poet is and what a poem is for.
The BreakBeat Poets are the scribes recording and remixing a fuller spectrum of experience of what it means to be alive in this moment. The BreakBeat Poets are a break with the past and an honoring of the tradition(s), an undeniable body expanding the canon for the fresher.
Articles & Audio
Read What’s In Print
• I’m Finna Write about Us: A Review of Nate Marshall’s FINNA – The Adroit Journal
• “All I’m trying to do is humanize.” NATE MARSHALL – Divedapper
• An Interview with Nate Marshall & Aram Mrjoian – Southeast Review
Listen to Audio
• Ep. 209 A Poem is About Wonder with Nate Marshall – The Stacks
• In Finna, Poet Nate Marshall Is ‘All About What Happens Next’ – NPR
Selected Writings
- Read “epithalamelegy” – The Poetry Foundation
- Read “everything i’ve called women” – The Poetry Foundation
FINNA
for Juanita & the Perspectives Leadership Academy Class of 2016
so this one time i was finna say finna in a academic context
& a voice in my head said shouldn’t you be worried
about using a word that ain’t a word & i was like word.
& for a long time that was how i let my life happen,
i let my mind tell me a million no’s that the world
had implanted in me before i even formed questions.
i let my power be dulled by my fear of fitting.
but i remember a million finnas
i avoided to get here. like the day
them dudes jumped me off the bus & i was finna
get stomped out like a loose square. or the day
they got to shooting at the park & i was finna
catch one like an alley oop. or the day
my grandma died & my grades dropped & i was finna
not finish high school except i had a praying mama
& good teachers & poems to write. i’m thankful for all these finnas
that never were & when i remind myself
of who i’ve always been i remember why
my finna is so necessary.
finna comes from the southern phrase fixing to
like i come from my southern grandmothers & finna
is this word that reminds me about everything next.
even when i’ve been a broken boy i know i’m fixing to
get fixed. i’m finna be better. every dream i have is a finna
away from achievement. each new love i uncover is a finna
i unfold. every challenge i choose to meet & not let defeat me is a finna
i fight for.
my hope is like my language is like my people: it’s Black
& it’s brown & it’s alive
& it’s laughing & it’s growing & it’s alive
& it’s learning & it’s alive & it’s fighting & it’s alive
& it’s finna
take on this wide world
with a whole slang for optimism.