Each of Brenda Hillman’s books has been transformative for her readers, and her twelfth collection is no exception. Building on previous volumes about seasons, days and minutes, Hillman concludes her masterful quartet about time with an ecological journey into a family home of the mid-twentieth century. Here, magical poems explore rooms as opportunities for dream, and domestic objects as the dream-shapes where culture and imagination inform each other. In that way, the poet celebrates the layered lives of children and adults, including, strikingly, the life of her mother, a native of Brazil whose presence intimately links the processes of inner vision and daily tasks. Like Hillman’s other pioneering work, these poems are personal and collective; they braid the spiritual, the scientific, the political and the visionary. Short spare lyrics are placed beside longer pieces; small photos add to the visual structures of the pages. One long prose poem explores the child’s neurological anxiety and the awakening of mid-century environmental consciousness, while another is a meditation on women’s domestic work with textiles and the rhetoric of literary repetition. The closing sequence gives homage to unlikely intersections of humans with non-human lives, including dust mites, moths and mycorrhizal roots. This remarkable collection will plunge readers into the mysteries of childhood and of childhood houses everywhere.