Gerald Stern, the first Poet Laureate of New Jersey and a Chancellor of the Academy of American Poets, was born in Pittsburgh, Pennsylvania, in 1925, the son of Polish and Ukrainian immigrant parents. He received degrees from the University of Pittsburgh and Columbia University and spent his twenties living in and traveling between New York City and Europe. He wrote and published poetry in his early twenties but only began to publish extensively in his middle and late forties. He has taught at many universities, including Temple University in Philadelphia; New York University; and, for fourteen years, at the University of Iowa's Writers' Workshop, before retiring in 1995. He is the recipient of many awards, including a Guggenheim Fellowship; three National Endowment of the Arts Fellowships; the Governor's Award for Excellence in the Arts for the state of Pennsylvania; the Lamont Poetry Prize; the Melville Caine Award; the Bernard F. Connor's Award; the Jerome J. Shestack Poetry Prize; the Bess Hoskin Award; a PEN Award; the Patterson Poetry Prize; the Fellowship of the Academy of American Poets; the Ruth Lilly Prize; and, most recently, the 2005 Wallace Stevens Award, given by the Academy of American Poets as a lifetime achievement award in poetry.
Stern is the author of fifteen books of poetry including, This Time: New and Selected Poems, which won the 1998 National Book Award; American Sonnets (2002); Everything is Burning (2005); and, most recently, Save the Last Dance (2008)--all published by W.W. Norton. His book of personal essays, What I Can't Bear Losing: Notes From a Life, was released by Norton in November of 2003. Not God After All, a book of aphorisms or petite narratives, was published in October of 2004 by Autumn House Press.
Gerald Stern's poetry has been variously praised for its visionary quality, its passion, its whole-hearted embrace of life, its scope, its tenderness, its use of paradox and irony. He has been compared extensively to Walt Whitman because of the open form, the long line, the expansiveness and celebratory nature of the poetry; he is, if anything, a post-Holocaust and a post-nuclear Whitman. His sources are equally King Lear, the Prophets, Goya and Celan; and he has a highly realistic bent and a strong sense of humor, even if sometimes bitter. He is attracted to, and connected with, Hasidic, Talmudic and Jewish mystical writing and is deeply Jewish in his vision, albeit a post-Shtetl east-coast American, Jewish. His literary ancestors are Blake, Coleridge, Marlowe, and Crane.
About SAVE THE LAST DANCE (2008)
In Save the Last Dance, Gerald Stern gives us a stunning collection of his intimately personalyet always universal, and always surprisingpoems, rich with humor and insight. Shorter lyric poems in the first two parts continue the satirical and often redemptive vision of his last collection, Everything Is Burning, while never failing to carve out new emotional territory. In the third part, a long poem called "The Preacher," Stern takes the book of Ecclesiastes as a starting point for a meditation on loss, futility, and emptiness, represented here by the concept of a "hole" that resurfaces throughout.
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