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ETGAR KERET, SHORT STORY WRITER & FILMMAKER

Hailed as the voice of young Israel and one of its most radical and extraordinary writers, Etgar Keret is internationally acclaimed for his short stories. Born in Tel Aviv in 1967 to an extremely diverse family, his brother heads an Israeli group that lobbies for the legalization of marijuana, and his sister is an orthodox Jew and the mother of ten children. Keret regards his family as a microcosm of Israel. His book, The Nimrod Flip-Out, which was published by FSG in 2006, is a collection of 32 short stories that captures the craziness of life in Israel today. Rarely extending beyond three or four pages, these stories fuse the banal with the surreal. Shot through with a dark, tragicomic sensibility and casual, comic-strip violence, he offers a window on a surreal world that is at once funny and sad.

His books are bestsellers in Israel and have been published in 22 languages. Books include Bus Driver Who Wanted to Be God (2004, St. Martin’s Press), Missing Kissinger (2007, Chatto & Windus), and Gaza Blues (2004). In France, Kneller`s Happy Campers is listed as one of the Fnac`s 200 books of the decade, and The Nimrod Flip-Out was published in Francis Ford Coppola`s magazine, Zoetrope (2004). Keret has received the Book Publishers Association`s Platinum Prize several times, has been awarded the Prime Minister`s Prize, and the Ministry of Culture`s Cinema Prize. Over 40 short movies have been based on his stories, one of which won the American MTV Prize (1998).

As a filmmaker, Keret is the writer of several feature screenplays, including Skin Deep (1996), which won First Prize at several international film festivals and was awarded the Israeli Oscar. Wrist Cutters, featuring Tom Waits, was released in August 2007. Jellyfish, his first movie as a director along with his wife Shira Geffen, won the coveted Camera d'Or prize for best first feature at the Cannes Film Festival 2007. Keret is at present a lecturer in the film department at Tel Aviv University.

ABOUT The Girl on the Fridge (Farrar, Straus & Giroux)
This is a new collection of the stories that made Etgar Keret Israel’s bestselling and most acclaimed young writer. A birthday-party magician whose hat tricks end in horror and gore; a girl parented by a major household appliance; the possessor of the lowest IQ in the Mossad—such are the denizens of Etgar Keret’s dark and fertile mind. The Girl on the Fridge contains the best of Keret’s first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

“Short, strange, funny, deceptively casual in tone and affect, stories that sound like a joke but aren’t—Etgar Keret is a writer to be taken seriously.”—Yann Martel

“Keret can do more with six . . . paragraphs than most writers can with 600 pages.” —Kyle Smith, People

Etgar Keret Website

Etgar Keret

Downloadable images are in the Photo Gallery

THE NIMROD FLIP-OUT (exerpt)

When it comes to Miron’s problem, there are, as they say, several schools of thought. The doctors think it’s some trauma he suffered when he was in the army that resurfaced all of a sudden in his brain, like a piece of shit you suddenly see floating in the toilet long after you’ve flushed. His parents are convinced it’s all because of the mushrooms he ate in the East, which turned his brain to quiche. The guy who found him there and brought him back to Israel says it’s because of this Dutch chick he met in Dharamsala, who broke his heart. And Miron himself says it’s God who’s messing everything up. Tapping into his brain like a bat, telling it one thing, then the opposite, anything, just to pick a fight. According to Miron, after He created the world, God stayed awfully complacent for a couple of million years. Until Miron came along all of a sudden, and started asking questions, and God broke out in a sweat. Because God could tell straight off that, unlike the rest of humanity, Miron was no pushover. And soon as you gave him the smallest opening he’d slam right through it, and God—everyone knows—is really big on dishing it out, but not on taking it. The last thing He can afford is a rebuttal, especially from a guy like Miron. So from the minute He realized it, He just kept driving Miron around the bend, hassling him whenever He could, with everything from bad dreams to girls who wouldn’t put out. Anything, just so the guy would fall apart.

—Translated by Miriam Shlesinger